Book recommendation: The Pillars of the Earth: Ken Follett

Started by MBeehan, May 20, 2011, 06:07:37 PM

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MBeehan

The Pillars of the Earth is a historical novel by Ken Follett published in 1989 about the building of a cathedral in the fictional town of Kingsbridge, England. It is set in the middle of the 12th century, primarily during the Anarchy, between the time of the sinking of the White Ship and the murder of Thomas Becket. The book traces the development of Gothic architecture out of the preceding Romanesque architecture and the fortunes of the Kingsbridge priory against the backdrop of actual historical events of the time.


The Pillars of the Earth

Prologue-1123

The small boys came early to the hanging.

It was still dark when the first three or four of them sidled out of the hovels, quiet as cats in their felt boots. A thin layer of fresh snow covered the little town like a new coat of paint, and theirs were the first footprints to blemish its perfect surface. They picked their way through the huddled wooden huts and along the streets of frozen mud to the silent market-place, where the gallows stood waiting.

The boys despised everything their elders valued. They scorned beauty and mocked goodness. They would hoot with laughter at the sight of a cripple, and if they saw a wounded animal they would stone it to death. They boasted of injuries and wore their scars with pride, and they reserved their special admiration for mutilation: a boy with a finger missing could be their king. They loved violence; they would run miles to see bloodshed; and they never missed a hanging.

One of the boys piddled on the base of the scaffold. Another mounted the steps, put his thumbs to his throat and slumped, twisting his face into a grisly parody of strangulation; the others whooped in admiration, and two dogs came running into the market-place, barking. A very young boy recklessly began to eat an apple, and one of the older ones punched his nose and took his apple. The young boy relieved his feelings by throwing a sharp stone at a dog, sending the animal howling home. Then there was nothing else to do, so they all squatted on the dry pavement in the porch of the big church, waiting for something to happen.

Candlelight flickered behind the shutters of the substantial wood and stone houses around the square, the homes of prosperous craftsmen and traders, as scullery maids and apprentice boys lit fires and heated water and made porridge. The colour of the sky turned from black to grey. The townspeople came ducking out of their low doorways, swathed in heavy cloaks of coarse wool, and went shivering down to the river to fetch water.

Soon a group of young men, grooms and labourers and apprentices, swaggered into the market-place. They turned the small boys out of the church porch with cuffs and kicks, then leaned against the carved stone arches, scratching themselves and spitting on the ground and talking with studied confidence about death by hanging. If he's lucky, said one, his neck breaks as soon as he falls, a quick death, and painless; but if not he hangs there turning red, his mouth opening and shutting like a fish out of water, until he chokes to death; and another said that dying like that can take the time a man takes to walk a mile; and a third said it could be worse than that, he had seen one where by the time the man died his neck was a foot long.

The old women formed a group on the opposite side of the market-place, as far as possible from the young men, who were liable to shout vulgar remarks at their grandmothers. They always woke up early, the old women, even though they no longer had babies and children to worry over; and they were the first to get their fires lit and their hearths swept. Their acknowledged leader, the muscular Widow Brewster, joined them, rolling a barrel of beer as easily as a child rolls a hoop. Before she could get the lid off there was a small crowd of customers waiting with jugs and buckets.

The sheriff's bailiff opened the main gate, admitting the peasants who lived in the suburb, in the lean-to houses against the town wall. Some brought eggs and milk and fresh butter to sell, some came to buy beer or bread, and some stood in the market-place and waited for the hanging.

Every now and again people would cock their heads, like wary sparrows, and glance up at the castle on the hilltop above the town. They saw smoke rising steadily from the kitchen, and the occasional flare of a torch behind the arrow-slit windows of the stone keep. Then, at about the time the sun must have started to rise behind the thick grey cloud, the mighty wooden doors opened in the gatehouse and a small group came out. The sheriff was first, riding a fine black courser, followed by an ox-cart carrying the bound prisoner. Behind the cart rode three men, and although their faces could not be seen at that distance, their clothes revealed that they were a knight, a priest and a monk. Two men-at-arms brought up the rear of the procession.

They had all been at the shire court, held in the nave of the church, the day before. The priest had caught the thief red-handed; the monk had identified the silver chalice as belonging to the monastery; the knight was the thief's lord, and had identified him as a runaway; and the sheriff had condemned him to death.

While they came slowly down the hill, the rest of the town gathered around the gallows. Among the last to arrive were the leading citizens: the butcher, the baker, two leather tanners, two smiths, the cutler and the fletcher, all with their wives.

The mood of the crowd was odd. Normally they enjoyed a hanging. The prisoner was usually a thief, and they hated thieves with the passion of people whose possessions are hard-earned. But this thief was different. Nobody knew who he was or where he came from. He had not stolen from them, but from a monastery twenty miles away. And he had stolen a jewelled chalice, something whose value was so great that it would be virtually impossible to sell – which was not like stealing a ham or a new knife or a good belt, the loss of which would hurt someone. They could not hate a man for a crime so pointless. There were a few jeers and catcalls as the prisoner entered the market-place, but the abuse was half-hearted, and only the small boys mocked him with any enthusiasm.

Most of the townspeople had not been in court, for court days were not holidays and they all had to make a living, so this was the first time they had seen the thief. He was quite young, somewhere between twenty and thirty years of age, and of normal height and build, but otherwise his appearance was strange. His skin was as white as the snow on the roofs, he had protuberant eyes of startling bright green, and his hair was the colour of a peeled carrot. The maids thought he was ugly; the old women felt sorry for him; and the small boys laughed until they fell down.

The sheriff was a familiar figure, but the other three men who had sealed the thief's doom were strangers. The knight, a fleshy man with yellow hair, was clearly a person of some importance, for he rode a warhorse, a huge beast that cost as much as a carpenter earned in ten years. The monk was much older, perhaps fifty or more, a tall, thin man who sat slumped in his saddle as if life were a wearisome burden to him. Most striking was the priest, a young man with a sharp nose and lank black hair, wearing black robes and riding a chestnut stallion. He had an alert, dangerous look, like a black cat that could smell a nest of baby mice.

A small boy took careful aim and spat at the prisoner. It was a good shot and caught him between the eyes. He snarled a curse and lunged at the spitter, but he was restrained by the ropes attaching him to the sides of the cart. The incident was not remarkable except that the words he spoke were Norman French, the language of the lords. Was he high-born, then? Or just a long way from home? Nobody knew.

The ox-cart stopped beneath the gallows. The sheriff's bailiff climbed on to the flatbed of the cart with the noose in his hand. The prisoner started to struggle. The boys cheered – they would have been disappointed if the prisoner had remained calm. The man's movements were restricted by the ropes tied to his wrists and ankles, but he jerked his head from side to side, evading the noose. After a moment the bailiff, a huge man, stepped back and punched the prisoner in the stomach. The man doubled over, winded, and the bailiff slipped the rope over his head and tightened the knot. Then he jumped down to the ground and pulled the rope taut, securing its other end to a hook in the base of the gallows.

This was the turning-point. If the prisoner struggled now, he would only die sooner.

The men-at-arms untied the prisoner's legs and left him standing alone on the bed of the cart, his hands bound behind his back. A hush fell on the crowd.

There was often a disturbance at this point: the prisoner's mother would have a screaming fit, or his wife would pull out a knife and rush the platform in a last-minute attempt to rescue him. Sometimes the prisoner called upon God for forgiveness or pronounced blood-curdling curses on his executioners. The men-at-arms now stationed themselves on either side of the scaffold, ready to deal with any incident.

That was when the prisoner began to sing.

He had a high tenor voice, very pure. The words were French, but even those who could not understand the language could tell by its plaintive melody that it was a song of sadness and loss.

A lark, caught in a hunter's net Sang sweeter then than ever, As if the falling melody Might wing and net dissever.

As he sang he looked directly at someone in the crowd. Gradually a space formed around the person, and everyone could see her.

She was a girl of about fifteen. When people looked at her they wondered why they had not noticed her before. She had long, dark brown hair, thick and rich, which came to a point in her wide forehead in what people called a devil's peak. She had regular features and a sensual, full-lipped mouth. The old women noticed her thick waist and heavy breasts, concluded that she was pregnant, and guessed that the prisoner was the father of her unborn child. But everyone else noticed nothing except her eyes. She might have been pretty, but she had deep-set, intense eyes of a startling golden colour, so luminous and penetrating that, when she looked at you, you felt she could see right into your heart, and you averted your eyes, scared that she would discover your secrets. She was dressed in rags, and tears streamed down her soft cheeks.

The driver of the cart looked expectantly at the bailiff. The bailiff looked at the sheriff, waiting for a nod. The young priest with the sinister air nudged the sheriff impatiently, but the sheriff took no notice. He let the thief carry on singing. There was a dreadful pause while the ugly man's lovely voice held death at bay.

At dusk the hunter took his prey The lark his freedom never All birds and men are sure to die But songs may live for ever.

When the song ended the sheriff looked at the bailiff and nodded. The bailiff shouted, 'Hup!' and lashed the ox's flank with a length of rope. The carter cracked his whip at the same time. The ox stepped forward, the prisoner standing in the cart staggered, the ox pulled the cart away, and the prisoner dropped into mid-air. The rope straightened and the thief's neck broke with a snap.

There was a scream, and everyone looked at the girl.

It was not she who had screamed, but the cutler's wife beside her. But the girl was the cause of the scream. She had sunk to her knees in front of the gallows, with her arms stretched out in front of her, the position adopted to utter a curse. The people shrank from her in fear: everyone knew that the curses of those who had suffered injustice were particularly effective, and they had all suspected that something was not quite right about this hanging. The small boys were terrified.

The girl turned her hypnotic golden eyes on the three strangers, the knight, the monk and the priest; and then she pronounced her curse, calling out the terrible words in ringing tones: 'I curse you with sickness and sorrow, with hunger and pain; your house shall be consumed by fire, and your children shall die in the gallows; your enemies shall prosper, and you shall grow old in sadness and regret, and die in foulness and agony...' As she spoke the last words the girl reached into a sack on the ground beside her and pulled out a live cockerel. A knife appeared in her hand from nowhere, and with one slice she cut off the head of the cock.

While the blood was still spurting from the severed head she threw the beheaded cock at the priest with the black hair. It fell short, but the blood sprayed over him, and over the monk and the knight on either side of him. The three men twisted away in loathing, but blood landed on each of them, spattering their faces and staining their garments.

The girl turned and ran.

The crowd opened in front of her and closed behind her. For a few moments there was pandemonium. At last the sheriff caught the attention of his men-at-arms and angrily told them to chase her. They began to struggle through the crowd, roughly pushing men and women and children out of the way, but the girl was out of sight in a twinkling and though the sheriff would search for her, he knew he would not find her.

He turned away in disgust. The knight the monk and the priest had not watched the flight of the girl. They were still staring at the gallows. The sheriff followed their gaze. The dead thief hung at the end of the rope, his pale young face already turning bluish, while beneath his gently swinging corpse the cock, headless but not quite dead, ran around in a ragged circle on the bloodstained snow.